Month: February 2019

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The Broken Diamond of Washington, D.C.

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Here’s an interesting bit of American urban and legal history. In 1791 and 1792, a team led by Andrew Ellicott (including the famous Benjamin Banneker) surveyed the boundaries of the original District of Columbia.

In its first iteration, the District was shaped like a diamond, each side ten miles in length. It comprised the limits of the present city of Washington, whose lands were donated by Maryland, and a somewhat smaller area on the Virginia side of the Potomac.

In 1849, Virginia recovered its portion of the federal district, leaving only Maryland’s former portion as the federal district. So, today, a map of the City of Washington, D.C., looks like this:

Meanwhile, most of the land that Virginia reclaimed became today’s Arlington County, which retains the corresponding geometry of the original diamond for much of its boundary. The remainder is now in the independent city of Alexandria.

Today, the boundary stones set out by Ellicott, Banneker, et al., still, for the most part, exist — including those defining Virginia’s former portion of the District, which, in an alternate history, might also have remained legally a part of the nation’s capital.

You can learn more, and see all of the remaining D.C. markers, by visiting boundarystones.org.

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The Singer’s Sisters

Although New York’s Singer Building (149 Broadway, New York City) was lost in the late 1960s, at least two other buildings remain today with strong claims of sisterhood. One is in New York City, just about a mile north of where the lost Singer Building once stood. The other is halfway around the world.

The Little Singer Building (561 Broadway, New York City) was built in 1903. Like the (Big) Singer Building, it designed by the Beaux-Arts-trained architect Ernest Flagg for the Singer Manufacturing company. The Little Singer is an attached, zero-lot-line building, in keeping with traditional urban forms. But, unlike Flagg’s next project, it does not have a freestanding tower. Although it was sandwiched between two other buildings, the architect found ways to make it stand out, including the use of cast-iron, arches, and a recessed bay that gives shape to its distinctive color scheme (red brick and green), which presaged the palette of the Singer Tower. Today, it has a clothing store on the ground floor, with residential units above. Here it is, today:


Singer House (28 Nevsky Prospekt, Saint Petersburg) is located on one of pre-Soviet Russia’s grandest commercial strips — the Nevsky Prospekt. Designed by Pavel Suzor, and completed in 1904, the Singer House is more playful in its Art Nouveau design than either of its Beaux-Arts, New York sisters. Yet, in a less formal way, it expresses a similar tendency to combine solid materials and ornate flourishes in a way that defined the visual themes of the company. The Singer House couldn’t have a tower, because the Czar wouldn’t allow anything to exceed the height of his nearby Winter Palace. Here it is, today:

I never find a site on Google Maps without doing some virtual wandering. Roaming around Saint Petersburg on StreetView makes me want to visit. It’s a beautiful and complex city. I’m often taken aback by the incredible richness and refinement of Russia, and its contrast with the country’s seemingly interminable political harshness. It’s a mystery — which makes it interesting.

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Piano Tuner Defeats Casino Agency — But Why?

Here’s some good news: in New Jersey, the government can’t take your land for a public purpose unless it has, actually, um, specified a public purpose. That’s good. But here’s the bad news: in Atlantic City, a state agency called the Casino Reinvestment Development Authority has spent the past five years trying to do precisely that, to a local couple. Specifically, the agency tried to leverage the state’s power of eminent domain to take away Charles and Linda Birnbaum’s three-story building and “bank” it for an unspecified future use.

Here’s some human context about the decision, from Amy Rosenberg at the Philadelphia Inquirer:

Birnbaum retained the right to keep the home his parents, who were Holocaust survivors, bought in 1969, because the state’s Casino Reinvestment Development Authority could not provide assurance that its plans for the property and surrounding area “would proceed in the reasonably foreseeable future,” the court ruled…. Birnbaum’s mother, Dora, lived in the house on Oriental Avenue until 1998, when she was killed during a home invasion. Birnbaum, who lives in Hammonton with his wife, rents out the upper floors and uses the first floor for his piano-tuning business.

Your tax dollars at work, New Jersey. It’s good that the court said no. But maybe this case is a signal that it’s time for the state to stop acting as a legal henchman for casino developers. Casino gambling has failed to bring back Atlantic City, after more than four decades. It has, however, destroyed much of what once remained of the traditional seaside urbanism of America’s prime Victorian-era beach resort. And it has resulted in perverse scenarios like the one at the center of this lawsuit.

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Remembering the Singer Building

My latest piece at TAC‘s New Urbs looks at New York’s lost Singer Building, which once stood at Broadway and Liberty Street in what’s now called the Financial District (but was once known simply as Downtown New York).

Seen above, a mural in the Liberty Tower, at Liberty and Nassau Streets, shows how the Singer Building might have appeared during its early days. The painting was commissioned by one of the great architects of recent restorations, Joseph Pell Lombardi.