If you’ve ever been inside the lobby of the American Express Building in Lower Manhattan, you can’t have missed Craig McPherson’s haunting, beautiful murals. What I find interesting about the cityscape murals at the World Financial Center (now Brookfield Place) is that they allude to the somewhat mysterious history of modern finance; even their colors and angles present a sense of mystery — like there is a secret to be discovered, or a riddle.
The cities depicted are key seaports of the world. Two (Venice and Istanbul) represent trading capitals of the Old World, while the others (New York City, Hong Kong, Sydney, and Rio) might be said to illustrate the global growth that was driven by the sudden expansion of Old World trade that took place after the Renaissance. What facilitated that expansion? Stock corporations and insurance companies. Both had their origins in the pooling of capital and risk to facilitate the shipping industry of that time. The capital they raised and the assets they protected drove the expansion of Western trade beyond the traditional routes of Europe and the Mediterranean. In this sense, the murals at the World Financial Center are very much part of long tradition in public-facing art: they present a romanticized narrative of a bigger (and potentially obscure) story behind the walls they adorn, and they remind of us the day-to-day work that went into that story.
On another note, the murals all survived September 11th relatively unscathed, even though the American Express Building suffered severe damage.