My favorite of the city’s Art Deco skyscrapers, this soaring Pine Street tower was built as the headquarters of the Cities Service Company, predecessor of Citgo. The Cities Service logo — a pyramid within a cloverleaf, usually black or green in trade dress — can be found pervasively worked into the concrete and metal exterior details, and the interior details, as well. Designed by architects at Clinton & Russell and Holton & George, the 952-foot tower opened in 1932.
Last year, I posted a batch of pictures that I had taken of the exterior details at ground level; and of the tower within the skyline of Wall Street. It is a striking tower, sleek and tapered at the top. But given the dense cluster of tall buildings that now characterize the neighborhood, it is a challenge to find a clear shot of more than its very top. Fortunately, an outside detail (above) provides a scale model of the complete tower in clean, white concrete — like the building itself.
A residential conversion was recently completed, which includes a beautiful top-to-bottom restoration of the landmark skyscraper. I doubt the building could have looked much sharper in 1932, when it opened amid the Great Depression, having been on the drawing board before the fortunes of Wall Street turned dark. The redeveloper, Rose Associates, has really done an incredible job.
Here, I include a number of new pictures of the grand lobby, the basement, and various stairwells and corridors.
Hope you enjoy. I love this building, and think you will, too.
Just some pictures from a couple of trips to New York City beaches this summer. Honey and I made it to Rockaway Beach on an absolutely beautiful day, in early August. The ocean was about as blue as you could imagine, and the beach has been completely remade with white sand and a new boardwalk, replacing the one that was destroyed during Hurricane Sandy. The little things in the photos that look like pebbles are actually tiny clams, coming in by the thousands that day with each wave, then burrowing their way into the sand when the water went out. It was really something to see.
About a week later, I wound up on a work-related field trip to the coastal parts of Brooklyn, to observe the progress that my program has made in rebuilding private homes in Gerritsen Beach, Sheepshead Bay, and Coney Island. We were supposed to have a happy hour afterwards on the Coney Island Boardwalk, but it was cancelled because of the intermittent (but occasionally heavy) rain. The neighborhood was eerie and abandoned, with wet streets and empty sidewalks. I thought it was photogenic. It’s interesting to me how many of the individual artifacts of the Coney Island my grandparents would have visited are still there — Nathan’s, Luna Park, the Cyclone; and even more interesting, from a planner’s perspective, that this famous seaside spot has never been redeveloped.
At the end, I included just a few pictures of the work that our program is getting done in the Sandy-affected parts of Brooklyn. It has been a long process getting to a point where physical progress can been seen in these places. Everyone who has been involved in since 2013 should be proud of what he or she has done, especially the homeowners and tenants who have stuck with it for the long haul.
Would definitely recommend to anyone with an interest in the building itself, early skyscrapers, tesellation and mosaics, the transition from classical to modern architecture, or just the history of American business. The colors are incredible. Likewise, the masonry and marble. Photos in my album begin in the main lobby, then move to the back of the main floor, down into the basement (where a lost entrance to the subway can be found, sealed off), and finally up to the balconies, where you can almost touch the tiled ceilings.
Here are some pictures I took of a special exhibit at the Rutgers Law Library in 2013, focused on the Mount Laurel doctrine, its history, and its legacy. I just discovered them while I was going through old photos, and thought they might be of interest to some readers. Incidentally, I was in John Payne’s Con Law class during his last semester of teaching at Rutgers. His untimely death was jarring for those of us who were in his class. Interesting fact: he and his wife lived in a Frank Lloyd Wright house, in Glen Ridge.
Was up on the walkway of the Manhattan Bridge. The view is really incredible, especially of the rooftops of Chinatown, and the lower stretch of the East River. The walkway sways a little bit in the wind, and — there are subway tracks right beside it — it really shakes when a subway goes by. It’s much less touristy than the Brooklyn Bridge, and still reminds me a little bit of how the city was in the 80s and early 90s: lots of graffiti, neglected infrastructure, homeless people. I saw three street people getting high, and another lying flat on the walkway.
Just some pictures from a recent visit to the Montclair Art Museum, which has a nice collection of George Inness paintings and personal effects. Inness was one of the best artists of 19th century America, specifically, the Northeast. A native of the Hudson Valley, he was sometimes associated with the Hudson River School, but he maintained a distinct approach that defies classification. His palette reminds me a little bit of Van Gogh’s, but his subject matter is much more realist. He spent a bunch of time in Montclair, taking the countryside around Newark as inspiration for a number of his paintings.
The Federal Reserve Bank of New York is a truly incredible landmark. Completed in 1922 in the style of a Florentine palazzo, this stone fortress was built to house the most important regional branch of the Fed. Its design served the secondary purpose of communicating the solidity of American banking under the Federal Reserve System. The smooth-faced, rusticated masonry alternates between blocks of gray and tan, conveying something that cannot be moved, while hinting at the silver and gold that still backed up American currency at the time.
Tours of the interior are available, but tickets can be hard to come by. Once there, the Fed requires that you take part in a guided tour, which runs about an hour. Honey and I went one day last summer. Although such tours are not my favorite approach to exploration, I found this one incredibly interesting. The guide provided a short history of the Federal Reserve System; the construction and architecture of the building, itself; and a tour of the active gold vault, deep below Liberty Street. Unfortunately, the Fed has a very strict prohibition on photography within the building (under penalty of camera confiscation).
Just some night photos from the Hoboken rail yards and surrounding blocks. (Click on the above photo to see my full album.)
As much as Hoboken has become a bland commuter city, a lot of the industrial-era infrastructure survives. The waterfronts in Hoboken, Jersey City, and Weehawken once served as a break-of-bulk point for all rail lines coming back to Port of New York from the American interior. In the 19th century, passengers and freight bound for New York City would leave the rails at these stations along the New Jersey waterfront to be ferried across the Hudson River to Manhattan. In the early 20th century, the Hudson Tubes made passenger service into Manhattan possible; and, later, the tunnels to Penn Station allowed the main lines to enter the city. Today, the PATH system still links the sites of three of the old New Jersey terminals: Hoboken (once the Delaware, Lackawanna & Western terminal), as well as Newport (once the Erie terminal) and Exchange Place (once the Pennsylvania Railroad terminal). Here is a map by James R. Irwin, showing the old setup: